InCinematographer - Issue 2 - September 2017 - 33

33

www.incinematographer.com | Issue 2 | September 2017

Telemetrics' Latest Camera
Robotics and Control Systems
Telemetrics is showing its latest systems and solutions some for the first time in Europe - at IBC2017
on stand 12.F34...

N

ew products include: the RCCP-1A Remote
Camera Control Panel; the PT-HP-S5 Servo Pan/
Tilt Head; the RCCP-M, the Televator® EP7 Series
Elevating Pedestal; and the TeleGlide® TG4 track
system.
Telemetrics' latest offerings provide ultra-smooth
motion, quiet operation and exceptionally high
mechanical precision that are well-suited for spacelimited automated production studios and virtual set
systems.
Telemetrics is showing its new, more fully-featured
"advanced" control panel - the RCCP-1A. It's
designed for larger broadcast studios and legislative
production centres. The RCCP-1A adds powerful,
unified controls, and includes Telemetrics' patent
pending advanced auto-sensing technology that
automatically keeps talent centred in the frame and
intuitively follows their movement.
The PT-HP-S5 Servo Pan/Tilt Head brings new
value and operational performance for roboticallycontrolled cameras and automated production
studios. The PT-HP-S5 is targeted at smaller

Get an up-close look at the
Televator® EP7 Series Elevating
Pedestal that's designed for
greater stability. It's available in
production studios with limited
three sizes (EP7-600, EP7-700
budgets that still need unique
and EP7-1000) to accommodate
point of view shots to add
virtually any camera and height
value to their productions. It
position. The EP7 allows users
can accommodate any boxto maximize available space in
style camera and lens up to
large and small studios, while
40lbs and is fully 4K-ready
facilitating more creative shots
with
embedded
fibre
that enhance production
connectivity as a standard
values for any type of project.
Telemetrics RCCP-1A Camera Control Panel Also on display is the new
feature.
Telemetrics is also showing a new entry-level TG4, which is the latest in the TeleGlide® family
camera control unit, the RCCP-M. This product offers of camera track systems to accommodate curve
a highly intuitive and easy-to-use control interface track applications. The TG4 features a redesigned,
with advanced auto-sensing technology. The RCCP-M streamlined trolley and track, which minimizes space
is perfect for non-technical staff working on a wide requirements and also includes tracks that can be
variety of cost-conscious productions. It features bent down to a sharp radius.
a full color 10.4-inch touch screen interface for
The Triple Balance System provides increased
instantly identifiable camera functions; pan, tilt and stability and can be floor or ceiling mounted. Like
zoom speed control knobs, and a large focus knob the original TeleGlide® system, the TG4 is fully servofor highly precise camera control. The RCCP-M also controlled, providing accurate preset positioning and
offers users options to upgrade to advanced controls repeatable motion.
as the need arises.
www.telemetrics.com


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Table of Contents for the Digital Edition of InCinematographer - Issue 2 - September 2017

In This Issue
InCinematographer - Issue 2 - September 2017 - Intro
InCinematographer - Issue 2 - September 2017 - Cover1
InCinematographer - Issue 2 - September 2017 - Cover2
InCinematographer - Issue 2 - September 2017 - In This Issue
InCinematographer - Issue 2 - September 2017 - 4
InCinematographer - Issue 2 - September 2017 - 5
InCinematographer - Issue 2 - September 2017 - 6
InCinematographer - Issue 2 - September 2017 - 7
InCinematographer - Issue 2 - September 2017 - 8
InCinematographer - Issue 2 - September 2017 - 9
InCinematographer - Issue 2 - September 2017 - 10
InCinematographer - Issue 2 - September 2017 - 11
InCinematographer - Issue 2 - September 2017 - 12
InCinematographer - Issue 2 - September 2017 - 13
InCinematographer - Issue 2 - September 2017 - 14
InCinematographer - Issue 2 - September 2017 - 15
InCinematographer - Issue 2 - September 2017 - 16
InCinematographer - Issue 2 - September 2017 - 17
InCinematographer - Issue 2 - September 2017 - 18
InCinematographer - Issue 2 - September 2017 - 19
InCinematographer - Issue 2 - September 2017 - 20
InCinematographer - Issue 2 - September 2017 - 21
InCinematographer - Issue 2 - September 2017 - 22
InCinematographer - Issue 2 - September 2017 - 23
InCinematographer - Issue 2 - September 2017 - 24
InCinematographer - Issue 2 - September 2017 - 25
InCinematographer - Issue 2 - September 2017 - 26
InCinematographer - Issue 2 - September 2017 - 27
InCinematographer - Issue 2 - September 2017 - 28
InCinematographer - Issue 2 - September 2017 - 29
InCinematographer - Issue 2 - September 2017 - 30
InCinematographer - Issue 2 - September 2017 - 31
InCinematographer - Issue 2 - September 2017 - 32
InCinematographer - Issue 2 - September 2017 - 33
InCinematographer - Issue 2 - September 2017 - 34
InCinematographer - Issue 2 - September 2017 - 35
InCinematographer - Issue 2 - September 2017 - 36
InCinematographer - Issue 2 - September 2017 - 37
InCinematographer - Issue 2 - September 2017 - 38
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InCinematographer - Issue 2 - September 2017 - 40
InCinematographer - Issue 2 - September 2017 - 41
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InCinematographer - Issue 2 - September 2017 - 43
InCinematographer - Issue 2 - September 2017 - 44
InCinematographer - Issue 2 - September 2017 - Cover4
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