InCinematographer - Issue 3 - 43

43

www.incinematographer.com | Issue 3

Vocas Delivers for Panasonic AU-EVA1

V

ocas has new accessories ready to deliver for the
Panasonic AU-EVA1 camera.
Besides all the universal compatible accessories,
Vocas has dedicated items specifically designed for
the Panasonic AU-EVA1 ready to ship.
This new H-cheese plate is specifically designed
for the Panasonic AU-EVA1 and can be used in
combination with the original top handgrip of
the camera as well as the Vocas top handgrips. It
provides the user with many accessory attachment
points on the top of the camera.
Vocas also developed a handgrip rosette adapter
for the Panasonic AU-EVA1. This adapter makes the
original Panasonic handgrip compatible with all
standard rosette accessories. The extender cable can
be necessary when relocating the handgrip.
The viewfinder bracket kit for Panasonic AU-EVA1
is meant to replace the original viewfinder bracket of
this camera. This bracket uses a NATO rail system to
connect the camera to the viewfinder and prevents
the viewfinder from "twisting", which can result

Vocas Pro
rail support

in a crooked horizon of the image. This kit is a
combination of the following products: a viewfinder
bracket and single NATO rail with Sony/Panasonic 8T
(110 mm).
The new MFC-3(F) follow focus system is also
compatible with the AU-EVA1 camera. This follow
focus system is unique because the focus knob and
drive gear consist of only one part, so there is no
transmission in the new MFC-3(F). The "F" in MFC-3F
stands for adjustable friction. Rotating the red knob
allows you to fine tune the internal friction of the
MFC-3F to your own preference.
The new Vocas Pro rail support is perfect for the
Panasonic AU-EVA1. This compact support provides

cameras with front and even rear rails at the same
time. In combination with the new shoulder support
it transforms in a perfect shoulder rig.
The possibility of placing the clamping block upside
down, allows the rails to go across the top of the
shoulder support. This allows you to add additional
accessories such as a counterweight behind the
shoulder support to get an even more balanced
setup. For exactly this purpose Vocas developed a
new 15mm counter weight of 1 kg.
The height of the Pro rail support can be adjusted
so it will be suitable for Panasonic AU-EVA1, and also
cameras such as Sony PXW-FS5 and Canon
EOS C200. www.vocas.com
H-cheese plate

MFC-3 and MFC-3F follow focus

Handgrip
rosette adapter

Viewfinder bracket kit

Cooke Lenses Classic & New
Something old, something new: Cooke presents vintage-look Panchro/i Classics, Anamorphic/i Primes
and S7/i Full Frame lenses at Camerimage 2017...

C

ooke Optics, the multi-award winning
manufacturer of precision lenses for film and
television, brought its coveted collection of latest
lenses to this year's Camerimage Festival, where the
company exhibited alongside Digital Sputnik.
On show were the new S7/i Full Frame Plus lenses
on a RED Digital 8k Vista Vision Camera. The Cooke
S7/i Primes have a true T2.0 aperture and cover 35/
Super 35mm, Full Frame and beyond. They have a
common fixed front diameter of 110mm, with a focus
drive gear of 140T x 0.8 mod and an iris drive gear of
134T x 0.8.
Cooke also presented the Panchro/i Classic range,
a modern redesign of the original Speed Panchros
that achieves the same look and feel but with newly
designed housing and PL mounts. The Panchro/i
Classic lenses are lightweight, making them ideal for
handheld, drone and Steadicam work.

Cooke Optics TV: Camerimage 2017

In addition, attendees were able to view and subscriber online audience.
Anamorphic/i and Anamorphic/i SF lenses on an
Cooke lenses were also on display at the Panasonic,
anamorphic sensor. The Anamorphic/i Prime range is RED Digital Cinema and Sony stands at Camerimage
proving very popular with cinematographers, adding 2017.
anamorphic character to feature films A Man Called
www.cookeoptics.com
Ove and S.M.A.R.T. Chase, and television productions
including Broadchurch (series 3), Fleabag and
Valkyrien. The Anamorphic/i SF Prime set has all the
same features as the standard Anamorphic/i lenses,
with the addition of a special coating that adds even
more anamorphic character to
the image; these new
lenses were used to
shoot the acclaimed new
feature film Mark Felt:
The Man Who Brought
Down The White House,
the forthcoming ABC
television drama series
The Crossing and the
much-anticipated
reworking of A Star Is
Born.
The producers of Cooke
Optics TV interviewed leading
cinematographers during the show
Cooke Optics S7/i 50mm lens
for the channel's expanding live Cooke's Panchro/i Classic 75mm


http://www.incinematographer.com http://www.vocas.com/new-arrivals http://www.vocas.com/new-arrivals http://www.vocas.com http://www.vocas.com/new-arrivals http://www.vocas.com/new-arrivals http://www.cookeoptics.com https://www.cookeoptics.com/ https://www.cookeoptics.com/ http://cookeoptics.tv/cooketv.nsf/b/index.html

Table of Contents for the Digital Edition of InCinematographer - Issue 3

In This Issue
InCinematographer - Issue 3 - Intro
InCinematographer - Issue 3 - Cover1
InCinematographer - Issue 3 - Cover2
InCinematographer - Issue 3 - In This Issue
InCinematographer - Issue 3 - 4
InCinematographer - Issue 3 - 5
InCinematographer - Issue 3 - 6
InCinematographer - Issue 3 - 7
InCinematographer - Issue 3 - 8
InCinematographer - Issue 3 - 9
InCinematographer - Issue 3 - 10
InCinematographer - Issue 3 - 11
InCinematographer - Issue 3 - 12
InCinematographer - Issue 3 - 13
InCinematographer - Issue 3 - 14
InCinematographer - Issue 3 - 15
InCinematographer - Issue 3 - 16
InCinematographer - Issue 3 - 17
InCinematographer - Issue 3 - 18
InCinematographer - Issue 3 - 19
InCinematographer - Issue 3 - 20
InCinematographer - Issue 3 - 21
InCinematographer - Issue 3 - 22
InCinematographer - Issue 3 - 23
InCinematographer - Issue 3 - 24
InCinematographer - Issue 3 - 25
InCinematographer - Issue 3 - 26
InCinematographer - Issue 3 - 27
InCinematographer - Issue 3 - 28
InCinematographer - Issue 3 - 29
InCinematographer - Issue 3 - 30
InCinematographer - Issue 3 - 31
InCinematographer - Issue 3 - 32
InCinematographer - Issue 3 - 33
InCinematographer - Issue 3 - 34
InCinematographer - Issue 3 - 35
InCinematographer - Issue 3 - 36
InCinematographer - Issue 3 - 37
InCinematographer - Issue 3 - 38
InCinematographer - Issue 3 - 39
InCinematographer - Issue 3 - 40
InCinematographer - Issue 3 - 41
InCinematographer - Issue 3 - 42
InCinematographer - Issue 3 - 43
InCinematographer - Issue 3 - 44
InCinematographer - Issue 3 - 45
InCinematographer - Issue 3 - 46
InCinematographer - Issue 3 - 47
InCinematographer - Issue 3 - 48
InCinematographer - Issue 3 - 49
InCinematographer - Issue 3 - 50
InCinematographer - Issue 3 - Cover4
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