InCinematographer - Issue 3 - 45

45

www.incinematographer.com | Issue 3

Litepanels Showcase
at Inter BEE
A

t Inter BEE 2017, the Vitec Group's Litepanels
brand showcased Gemini, billed as the industry's
most accurate and agile softlight, the next-generation
Astra 3X and 6X, and its Sola range of Led Fresnels.
Recently launched at IBC2017, Gemini is an allnew, 2x1 RGB-WW soft panel that combines daylight,
tungsten, and red-green-blue LEDs with flexible,
precise color adjustment hailed as the industry's
most accurate full-spectrum white light.

Sola 6+
daylight Fresnel

Adding daylight and tungsten means lighting
professionals can reliably achieve exceptional color
and realistic skin tones - eliminating the need for
color correction and saving post-production time and
money.
Also on show was Astra 3X/6X and Sola 4+/6+ LED
Lighting.
Litepanels' next-generation Astra 3X and 6X LED
lights build on the quality and popularity of the
innovative Astra 1x1 panel.
These next-generation panels now feature a 50%
increase in output with reduced power consumption
for longer battery run time.
This means the new Astra 6X is six
times brighter than the original 1x1
version, while the Astra 3X is three
times brighter.
Litepanels also showcased its
daylight-balanced Sola 4+ and Sola
6+ Fresnel lights.
The Sola range of LEDs provides cool
daylight illumination with the unique
ability to control both focus and
intensity via standard DMX 512 protocol
and without the heat generation of a
traditional Fresnel.

Astra 3X and
6X LED lights

Accurate and
agile Gemini
softlight


http://www.incinematographer.com http://www.litepanels.com/en-DE/Shop/products/led-lighting-astra-3x-daylight http://www.litepanels.com/en-US/Shop/products/led-lighting-sola-6-plus http://www.litepanels.com/en-DE/Shop/products/led-lighting-astra-3x-daylight http://www.litepanels.com/en-GB/Shop/products/gemini-2x1-soft-panel-us-power-con http://www.blockbattery.com/ http://www.blockbattery.com/

Table of Contents for the Digital Edition of InCinematographer - Issue 3

In This Issue
InCinematographer - Issue 3 - Intro
InCinematographer - Issue 3 - Cover1
InCinematographer - Issue 3 - Cover2
InCinematographer - Issue 3 - In This Issue
InCinematographer - Issue 3 - 4
InCinematographer - Issue 3 - 5
InCinematographer - Issue 3 - 6
InCinematographer - Issue 3 - 7
InCinematographer - Issue 3 - 8
InCinematographer - Issue 3 - 9
InCinematographer - Issue 3 - 10
InCinematographer - Issue 3 - 11
InCinematographer - Issue 3 - 12
InCinematographer - Issue 3 - 13
InCinematographer - Issue 3 - 14
InCinematographer - Issue 3 - 15
InCinematographer - Issue 3 - 16
InCinematographer - Issue 3 - 17
InCinematographer - Issue 3 - 18
InCinematographer - Issue 3 - 19
InCinematographer - Issue 3 - 20
InCinematographer - Issue 3 - 21
InCinematographer - Issue 3 - 22
InCinematographer - Issue 3 - 23
InCinematographer - Issue 3 - 24
InCinematographer - Issue 3 - 25
InCinematographer - Issue 3 - 26
InCinematographer - Issue 3 - 27
InCinematographer - Issue 3 - 28
InCinematographer - Issue 3 - 29
InCinematographer - Issue 3 - 30
InCinematographer - Issue 3 - 31
InCinematographer - Issue 3 - 32
InCinematographer - Issue 3 - 33
InCinematographer - Issue 3 - 34
InCinematographer - Issue 3 - 35
InCinematographer - Issue 3 - 36
InCinematographer - Issue 3 - 37
InCinematographer - Issue 3 - 38
InCinematographer - Issue 3 - 39
InCinematographer - Issue 3 - 40
InCinematographer - Issue 3 - 41
InCinematographer - Issue 3 - 42
InCinematographer - Issue 3 - 43
InCinematographer - Issue 3 - 44
InCinematographer - Issue 3 - 45
InCinematographer - Issue 3 - 46
InCinematographer - Issue 3 - 47
InCinematographer - Issue 3 - 48
InCinematographer - Issue 3 - 49
InCinematographer - Issue 3 - 50
InCinematographer - Issue 3 - Cover4
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